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September 11, 2020  /  note

Reading Lists for the Revolution

two months ago, i stopped reading. i went from reading several essays a day, a book a week, and who knows how much other random content on the internet an hour — to basically nothing. i even got off instagram. a weird thing for me, but i didn’t want to read hot takes or think about possible solutions to problems that seem cyclical, unsolvable, exhausting. i just wanted to process. buy time. be with myself and remember my body.

i started laying on the grass for fifteen minutes a day and staring at the sky. most of the time i couldn’t last more than five, but sometimes, it worked, and i would become entranced. time fell away. the trees and clouds reminded me of my smallness, and i felt a little bit okay.

in that smallness, i remembered that i don’t need to be stressed about producing and commissioning regular content for new archives, because the world is literally and metaphorically, systemically, spiritually, all the “-lys” on fire. and no one cares that much about a goddamn reading list. and this project just isn’t going to be what we envisioned when we started, because, well. everything. the least we can do is be kind to ourselves.

anyway. here’s a reading list i managed to make, only because i encountered some beautiful things that i was actually able to process the last couple of weeks. hope to get another one together soon, but you know. i’m not making any promises i can’t keep. —satpreet

  1. author unknown

  2. on empathy, BETTINA JUDD

  3. On Witness and Respair, JESMYNE WARD

  4. Curator Statement for Obsequies, MANUEL ARTURO ABREU

  5. tweet, ADRIENNE MAREE BROWN

A yellow bumpersticker in the rear window of a red car: “HOW AM I DRIVING? HOW DOES AN ENGINE EVEN WORK? HOW CAN A LOVING GOD CAUSE SUCH AGONY”
1. author unknown.
“what it sounds like is a bird breaking small bones against glass. the least of them, a sparrow, of course. you’re about to serve dinner and this is the scene. blame the bird, the impertinent windows, try not to think of the inconvenience of blood splattering violet in the dusk. how can you eat after this? do not think of whom to blame when the least of us hurdles into the next moment. a pane opening into another. the least of us spoiling your meal.”
2. Bettina Judd.
“During the pandemic, I couldn’t bring myself to leave the house, terrified I would find myself standing in the doorway of an ICU room, watching the doctors press their whole weight on the chest of my mother, my sisters, my children, terrified of the lurch of their feet, the lurch that accompanies each press that restarts the heart, the jerk of their pale, tender soles, terrified of the frantic prayer without intention that keens through the mind, the prayer for life that one says in the doorway, the prayer I never want to say again, the prayer that dissolves midair when the hush-click-hush-click of the ventilator drowns it, terrified of the terrible commitment at the heart of me that reasons that if the person I love has to endure this, then the least I can do is stand there, the least I can do is witness, the least I can do is tell them over and over again, aloud, <i>I love you. We love you. We ain’t going nowhere.</i>”
3. Jesmyne Ward.
“Institutional memory mines the personal funereal to justify dominant narratives in an ongoing violent revisionism. Tears become a kind of national discursive fuel, and mourning can engender both stasis (inactivity, quietism, equilibrium) and resistance (entropic tendencies, creative destruction, service to the ineffable). One can be paralyzed by sorrow or radicalized, faced by the ineffable void of time and the failure of language it engenders as we grieve the world as it is, what was lost, and what could be.”
4. manuel arturo abreu.
“find the front lines of humanity inside your own life and system. advance them.”
5. Adrienne Maree Brown.
New Archives: February-December 2020
February 13

mission

Satpreet Kahlon
March 2

note from the editor

Satpreet Kahlon
March 3

I have it; you can borrow it

Satpreet Kahlon
March 5

travelish

mario lemafa
March 8

YES IS A FEELING

Matthew Offenbacher
March 10

I have it; you can borrow it

Satpreet Kahlon
March 12

travelish, part 2

mario lemafa
March 14

what is exciting right now?

Satpreet Kahlon
March 15

950 Gallery

Matthew Offenbacher
April 30

an unplanned hiatus

Satpreet Kahlon
May 4

Art at Home

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May 7

The Girl and the 101st View of Mt. Fuji

Matthew Offenbacher
May 11

A dark storm is passing

Tom Eykemans
May 14

Missing Rhoda

Asia Tail
May 18

Ask a Conjure Women

Satpreet Kahlon
May 21

Garden of Delight

Beleszove Wildish Josivu Foldlanya
May 27

Humiliation kitchen towel

Aurora San Miguel
May 29

Seamstress

Christina Montilla
May 31

Reading Lists for the Revolution

Satpreet Kahlon
June 2

Reading Lists for the Revolution

Satpreet Kahlon
June 18

Reading Lists for the Revolution

Satpreet Kahlon
June 25

Reading Lists for the Revolution

Satpreet Kahlon
July 22

note from the editor

Satpreet Kahlon
July 23

I Don’t Like Art

Ashley Stull Meyers
August 19

Artist-to-Artist Conversations are back!

Satpreet Kahlon
August 25

Artist-to-Artist Conversation

Satpreet Kahlon
September 1

Artist-to-Artist Conversation

Satpreet Kahlon
September 8

Artist-to-Artist Conversation

Satpreet Kahlon
September 11

Reading Lists for the Revolution

Satpreet Kahlon
September 15

Artist-to-Artist Conversation

Satpreet Kahlon
November 10

Artist-to-Artist Conversation

Satpreet Kahlon
November 12

Trying to Photograph Perfume

Amelia Rina
November 17

Artist-to-Artist Conversation

Satpreet Kahlon
November 19

Art isn’t money, real estate or objects

Matthew Offenbacher
November 24

Artist-to-Artist Conversation

Satpreet Kahlon
December 1

Artist-to-Artist Conversation

Satpreet Kahlon
December 4

Algorithm: Archetype

Kym Littlefield
December 15

note from the editor

Satpreet Kahlon